• SPIRIT OF DCC

    SPIRIT OF DCC

  • SPIRIT OF DCC

    SPIRIT OF DCC

A Family Passion

"This is the story of a passion and of the people who gave it life. It is a story of wine and great lands, not just in Italy but in the world. A story that passes through France to take shape in Tuscany, with its landscape drawn by sharecropping, and extends to the far reaches of Sicily at a crossroads between land, sea and many different cultures."
Paolo Panerai

Read More

Our Vision

The first Castellare di Castellina vintage dates back to 1977. On its label appears a goldfinch (Carduelis carduelis). The decision to use this delightful little bird, very common in the Tuscan countryside and also highly celebrated in its iconography (see the Madonna of the Goldfinch by Raphael) was taken not only to pay homage to its beauty but also for a specific reason linked to what is now called our vision or production philosophy. In the Chianti, the factor that more than anything else is endangering bird life, whether local or migratory, is not hunting but the use of pesticides, widespread in growing both intensive and specialised crops such as vines. The decision of Castellare di Castellina, which foreshadowed similar policies later pursued by other estates, has been to avoid the use of herbicides, pesticides and all other types of systemic chemicals. From that very first label, each new vintage of Castellare di Castellina pays homage to one of the many bird species that make the Chianti countryside more colourful and melodious but that the indiscriminate use of synthetic chemicals is placing under threat. This was an environmentally-friendly choice that was then extended to all other estates of the Domini Castellare di Castellina.

Inspired by the original vision of Castellare di Castellina, Rocca di Frassinello has continued further along the path of sustainability.

Sustainability


In-line with the vision developed at Castellare di Castellina and Rocca di Frassinello, Feudi del Pisciotto has gone even further in actively promoting a social commitment towards the land that nurtures it.

Social Commitment

Our Winemakers

  • ALESSANDRO CELLAI
  • LUCA BALLARIN
  • MASSIMO CASAGRANDE
  • MARCO PARISI
  • ALESSANDRO CELLAI

    ALESSANDRO CELLAI

    Alessandro Cellai is not only the head winemaker of the four DCC estates, but also the overall head of the company as managing director and general manager. Alessandro studied oenology at the Istituto Tecnico of Siena and chemistry at the University of Florence. He is also a doctor in agrarian studies honoris causa. When Paolo Panerai chose him for Castellare di Castellina he was 28 years old, with a great passion for viticulture and oenology passed down from his farming grandfather and his uncle Giuseppe, at that time parish priest at the Parrocchia della Piazza at Castellina in Chianti, which possessed an adjoining vineyard. He had gained experience at two Chianti estates and already acquired a great love of Pinot Noir, which he now grows not only on the DCC estates but also on his 1.5 hectare vineyard one kilometre from Castellare. Alessandro immediately agreed with the decision taken by the owners of the new Castellare winery – inaugurated just a year after his arrival – to follow tradition and a philosophy of not making wine with mixed blends of indigenous and international grape varieties. This is why the Castellare Chianti Classico is one of the very few wines not to take advantage of the new regulation that permits the mixing of Sangioveto with 20% French vines. Despite this, what emerges is a very drinkable soft Chianti. The decision to preserve the purity of the traditional wines has not prevented him from successfully producing four great wines using international varieties, including a single varietal merlot (Poggio ai Merli), cabernet sauvignon (Coniale), chardonnay (Canonico) and sauvignon blanc (Spartito). Nor has it prevented him from being chosen as heir by the great Giacomo Tachis, who has always preferred to soften and complete Sangioveto using French vines. By appointing him as his successor Tachis enabled him to benefit from his own experience, acquired through 50 years of harvests that led to the Renaissance of Italian oenology. Alessandro, who before the age of 40 was named best young winemaker for four years in a row in Canada and other countries, personally oversees exports to the major overseas markets, from the US to Russia, where he regularly travels every year.
  • LUCA BALLARIN

    LUCA BALLARIN

    A graduate in oenology and viticulture at the University of Pisa with a thesis on “the use of pectolytic enzymes at the vinification stage”, he has had various experiences in the wine sector working in different parts of Italy, from Carmignano to Sicily. Over the years he has been able to deepen his winemaking knowledge, leading him 11 years ago to work for DCC at the Castellare winery alongside Alessandro Cellai, creating and caring for the Castellare wines.
  • MASSIMO CASAGRANDE

    MASSIMO CASAGRANDE

    Resident winemaker at Rocca di Frassinello, he graduated at the Istituto Agrario of Firenze specialising in viticulture and oenology. Before joining the Maremma estate, born as a joint venture between Castellare di Castellina and Domain Baron de Rothschild-Lafite, he was winery manager with Cellai at DCC’s Chianti estate. Massimo also loves interacting with customers, and it is no accident that in the interval between working at Castellare and Rocca di Frassinello he worked as a sommelier in two restaurants.
  • MARCO PARISI

    MARCO PARISI

    A young graduate from Palermo, he gained his degree in viticulture and oenology at Marsala. He completed his studies with a postgraduate diploma in Asti and a Masters degree in Lisbon. Several working collaborations with the university enabled him to increase his winemaking expertise, also enriched by various experiences abroad. He then decided to return to Sicily to put his acquired experience into practice, working for a number of important Sicilian wineries. At the end of 2006 he joined Feudi del Pisciotto to oversee the vineyards and the winery. His experiences in South Africa in creating a modern vine cuttings nursery have enabled him to develop an ongoing project at Feudi for the recovery of various indigenous grape varieties.

David LaChapelle and DCC

After walking through the vineyards of Rocca di Frassinello, David LaChapelle fell in love with this estate in the Maremma. As soon as he got back to his Los Angeles studio after his trip to Tuscany, the inspiration felt by the great painter-photographer was immediate: «I just have to express pictorially all the respect for wine and its history, as well as the aesthetics, humility and pursuit of perfection, identical to that of creating art, that I felt among the people working in the winery designed by Renzo Piano», says LaChapelle. This was how Rapture of the Grape came into being, the work created by this master - a former pupil of Andy Warhol - and reproduced on the limited edition bottles of Rocca di Frassinello to celebrate the estate's first 10 vintages. Permanently exhibited at Rocca di Frassinello, Rapture of the Grape represents, in the warm, bright colours of the Maremma, the ecstasy of grapes from the vine to the spirit, in an ode to wine which saves and illuminates like the divine and like art. The technique used by LaChapelle was also revolutionary in marking the return to a slow, analogical way of working that mirrors vinification. This involved cutting colour negatives, to echo the cutting of grapes by the winemaker, and then assembling these with sticky tape and painting them by hand in a final collage that alludes to the blending of Rocca di Frassinello. For the limited edition the glass of the bottle becomes the supporting canvas for the romance of Rapture of the Grape, which colours and animates it like a cathedral rose window by fusing the black backgrounds of the work and bottle in a triumph of technique and aesthetics..

Find out more

The first global digital vertical wine tasting

"In our culture, wine has great power to bring people together and create connections and bonds. In the first global vertical wine tasting across four continents, thanks to the technology of British Telecom we succeeded in doing this at the highest level. Vertical tastings happen involving people from different countries, but in our event there were tables with I Sodi di San Niccolò and Baffonero from Shanghai to New York to New Delhi, enabling people to share and exchange opinions about what our wines, though so characteristic and wedded to the land of their birth, Tuscany, have to tell the whole world in the different corners of the globe".
Paolo Panerai

Find out more